{"created":"2023-05-15T11:34:10.595924+00:00","id":20115,"links":{},"metadata":{"_buckets":{"deposit":"7a94fa9f-1a3d-41f6-a0ea-a836bec03750"},"_deposit":{"created_by":2,"id":"20115","owners":[2],"pid":{"revision_id":0,"type":"depid","value":"20115"},"status":"published"},"_oai":{"id":"oai:twcu.repo.nii.ac.jp:00020115","sets":["2026:2266:2536"]},"author_link":["9830"],"control_number":"20115","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2016-01-01","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"68","bibliographicPageStart":"51","bibliographicVolumeNumber":"77","bibliographic_titles":[{"bibliographic_title":"東京女子大学比較文化研究所紀要"}]}]},"item_10002_description_5":{"attribute_name":"内容","attribute_value_mlt":[{"subitem_description":"In this paper, I explore how philosophy and poetics found in traditional Japanese comic theater or kyogen, an indispensable part of the classical noh gaku repertoire, are reflected in Hemingway’s poetry. His mentor, Ezra Pound, came to appreciate kyogen and noh through his encounter with the manuscripts of Ernest Fenollosa at the beginning of the last century. Pound’s influence on Hemingway is well known, but here I would like to re-evaluate that contribution by concentrating on Hemingway’s poems. I will show how philosophy and aesthetics, similar to those found in classical Japanese theater, especially those existing deep inside kyogen, flow through Hemingway’s poetry. While discussing his poetry, I cannot avoid mentioning haiku and Pound’s “Ideogrammic Method,” two elements which are integral parts of Pound’s poetics, whose echo, in turn, we can hear in Hemingway’s poetry. Among the two inseparable Japanese theatrical forms of noh and kyogen, established in the 14th century, noh’s influence was most marked on the writings of W.B. Yeats (who came to know this Japanese stage genre through Pound). While Pound’s knowledge of noh has been widely discussed, the fact that Pound wrote kyogen comedies himself has received far less attention. Pound wrote his first kyogen to be performed along with At the Hawk’s Well, Yeats’ first modernist play written under influence of noh. I would also like to examine a play, The Cat and the Moon, Yeats wrote under the direct influence of kyogen, since it clearly shows archetypal kyogen elements Yeats learned from Pound.","subitem_description_type":"Other"}]},"item_10002_source_id_11":{"attribute_name":"NCID","attribute_value_mlt":[{"subitem_source_identifier":"AN10436928","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"05638186","subitem_source_identifier_type":"ISSN"}]},"item_10002_text_25":{"attribute_name":"著者名ヨミ","attribute_value_mlt":[{"subitem_text_value":"マナベ， アキコ"}]},"item_10002_text_26":{"attribute_name":"ファイル形式","attribute_value_mlt":[{"subitem_text_value":"application/pdf"}]},"item_10002_text_4":{"attribute_name":"著者名(別表記)","attribute_value_mlt":[{"subitem_text_value":"MANABE, Akiko"}]},"item_10002_text_6":{"attribute_name":"コンテンツの種類","attribute_value_mlt":[{"subitem_text_value":"紀要論文"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"真鍋, 晶子"}],"nameIdentifiers":[{"nameIdentifier":"9830","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-07-23"}],"displaytype":"detail","filename":"Akiko MANABE_20160101.pdf","filesize":[{"value":"758.5 kB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"Akiko MANABE_20160101.pdf","url":"https://twcu.repo.nii.ac.jp/record/20115/files/Akiko MANABE_20160101.pdf"},"version_id":"260c1b76-3f6f-4491-9dd7-29dec26e2892"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"パウンド、イェイツ、ヘミングウェイの日本との邂逅: 狂言をめぐって","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"パウンド、イェイツ、ヘミングウェイの日本との邂逅: 狂言をめぐって","subitem_title_language":"ja"},{"subitem_title":"Pound, Yeats, Hemingway & Japan: Encounters with Kyogen, Japan’s Classical Theatre","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"2","path":["2536"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-01-20"},"publish_date":"2017-01-20","publish_status":"0","recid":"20115","relation_version_is_last":true,"title":["パウンド、イェイツ、ヘミングウェイの日本との邂逅: 狂言をめぐって"],"weko_creator_id":"2","weko_shared_id":-1},"updated":"2024-06-19T07:06:59.123960+00:00"}