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伊藤道郎とモダニストの渦（ヴォーテックス）
https://twcu.repo.nii.ac.jp/records/20114
https://twcu.repo.nii.ac.jp/records/201149cae4115-f265-4b05-b164-5f51af3a31a7
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
Dorsey KLEITZ_20160101.pdf (1.4 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2017-01-20 | |||||
| タイトル | ||||||
| タイトル | 伊藤道郎とモダニストの渦（ヴォーテックス） | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | Ito and Hemingway: Allies in Modernism | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
クライツ, ドーシー
× クライツ, ドーシー |
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| 著者名(別表記) | ||||||
| 値 | KLEITZ, Dorsey | |||||
| 内容 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | “Michio Ito and the Modernist Vortex” explores the links between the Nobel Prize winning author, Ernest Hemingway, and the Japanese modern dancer, Michio Ito. Though they never met, they had friends in common and played key roles in the development of modernism in the twentieth century. The essay first focuses on Ito’s early years in London when he introduced W.B. Yeats and Ezra Pound to Japanese noh drama and danced the role of the hawk in Yeats’s famous noh-inspired play, At the Hawk’s Well. After examining Ito’s importance to the play, the essay turns to his dance career in the United States first in New York and then in Hollywood, where he organized large-scale productions in the Hollywood Bowl, mixing influences from Japan and the West. Hemingway and Ito were caught up in World War II in different ways, Hemingway as a journalist in Europe and Asia, and Ito, unjustly accused of being a spy, as a prisoner in a Department of Justice camp before being repatriated to Japan in a prisoner exchange. Ito, deeply affected by his disillusioning experience, spent the rest of his life in Japan. The essay concludes by looking at general parallels in the lives of these two modernist pioneers. Both of them were expatriate artists who crossed international boundaries seeking inspiration for their art. Both also adopted complex personae in literature and dance to express the modern world. Hemingway’s well-known hair fetish, appearing frequently in his works, provides a final link to Ito, whose long black hair, visible in numerous photographs from his years in London and New York, became an androgynous trademark Hemingway would have appreciated. | |||||
| コンテンツの種類 | ||||||
| 値 | 紀要論文 | |||||
| ファイル形式 | ||||||
| 値 | application/pdf | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 05638186 | |||||
| NCID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10436928 | |||||
| 書誌情報 |
東京女子大学比較文化研究所紀要 巻 77, p. 39-49, 発行日 2016-01-01 |
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